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Home > Movies > Edge of Darkness
Edge of Darkness
Edge of Darkness (2010)
4.0
(20 Ratings)
3 Reviews | 8 Short Comments | 129 Collectors | 17 Times Watched
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Movie Info
Movie Year:
Director:
Movie Year:
2010
Cast:
Ray WinstoneDanny HustonShawn RobertsDenis O'HareMel GibsonBojana NovakovicDavid Aaron BakerJay O. SandersDamian YoungCaterina ScorsoneFrank GrilloWayne DuvallGbenga AkinnagbeGabrielle PopaPaul Sparks
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Screenplay:
William MonahanAndrew BovellTroy Kennedy-Martin
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Genre:
No Genre information. Add
Studio:
Warner Bros. Pictures
Genre:
Action/Adventure
Other
Horror/Suspense
Television
Romance
Sci-Fi/Fantasy
Thriller
Animation
Comedy
Documentary
Drama
Kids/Family
Studio:
DVD Release:
2010/01/29
Theater Release:
No release information.
Blu-ray Release:
No release information.
Blu-ray 3D Release:
No release information.
DVD Release:
(ex. 2002/10/21)
Synopsis:
Tagline:
Some secrets take us to the edge
 
Reviews
Dec 19, 2011
It’s easy to take shots at Mel Gibson these days. He’s been in the news a lot lately. But it was nice to see the old Mel in this movie. He is great ...
It’s easy to take shots at Mel Gibson these days. He’s been in the news a lot lately. But it was nice to see the old Mel in this movie. He is great in these kinds of roles.

Mel’s an old cop, Thomas Craven, and very jaded on life, but very anxious for a visit from his daughter. She has a secret and was looking for a chance to get it off her chest, when suddenly she’s killed. The assumption is that it’s revenge on Craven, but in investigating who’s out to kill him, Thomas starts to learn that his daughter led a secret life. Lot of things he didn’t know. The more he unravels the more he is shocked to learn what it’s all about. Now he may be in over his head trying to figure out what really happened.

Now Craven just doesn’t care, and is able to do anything legal or not, to find out what’s behind the murder of his daughter. This is where the old grumpy bad-ass Mel takes control and it’s an exiting trip.

This movie was a surprise. I really didn’t expent much from it. I was very pleasantly surprised. Usually I find myself losing focus, and occassional rewinding to find out, “Hey, what just happened”, but this DVD kept me riveted in the story. It was refreshing to have Mel back and many compare this movie to Payback, and I think that’s a fair comparison.

The story is similar to others, but fresh enough to stay interesting. And Craven can get the truth out of just about anybody! This film is based on a popular English Mini-Series also called “Edge of Darkness”.

Nice police drama. Glad to have you back Mel, keep up the good work.

==Written by Ed Goettman ==

==From: Ed's Review Dot Com (www.edsreview.com)==
Mar 19, 2010
Let me be clear: I don't care about Mel Gibson's religious beliefs. I don't care about his drunken anti-semitism, or any aspect of his personal life.  ...
Let me be clear: I don't care about Mel Gibson's religious beliefs. I don't care about his drunken anti-semitism, or any aspect of his personal life. If he's a bad man, so be it. I do, however, care about his movies; especially that one he made where the guy got his face eaten off by a jaguar. Mad Mel, that's the guy I like, and nothing would please me more than to tell you his first foray into acting in eight years, "Edge of Darkness," is a triumphant return to the glory days of "Lethal Weapon 2" and "The Road Warrior," revenge classics in which a mulleted Australian brute causes indiscriminate havoc, violates common societal rules and makes noises like Curly from "The Three Stooges." "Edge of Darkness" is, sadly, not that. Instead, it's the nadir of what's become the Adult Thriller, typified by overwrought, star-driven potboilers that strain through gritted teeth to be "smart" or "topical." "Blood Diamond," "State of Play," et al. And while "Edge of Darkness" does contain the undeniably appealing image of a balding Gibson stomping around Boston threatening people, that minor treat is frequently overshadowed by the film's foolishly overreaching desire to maintain any level of dignity.

Gibson stars as Thomas Craven, a heavily-accented Boston detective whose slightly strained relationship with his cute daughter is totally and forever ruined when a hitman blows her away on his front porch. Devastated and vengeful, Craven of course sets off to find those responsible. It's inevitable that this course of action will blow the doors wide open on a government/corporate conspiracy or some such nonsense—in this case, it's something to do with rogue nuclear materials. Apparently, the shady CIA-connected corporation (run by a Dracula-like Danny Huston) figured that killing the girl and not her ex-alcoholic Irish cop father was the best plan. Guess they haven't seen as many movies as I have, because now they've got Mel on their hands. To that end they send in a shady black-ops "fixer," played by Ray Winstone. Evidently his job is not to assess and control the situation, but merely to appear as needed to dispense exposition. This of course leads to an uneasy trust between Winstone and our hero, which entails lots of moping, drinking, brooding and rasping.

You see what I'm getting at here. There are no actual characters to speak of, nor is there really a plot that needs to be carefully followed. Aside from a few details, you could mostly muddle through "Edge of Darkness" with only the slimmest attention paid to its narrative progression. Remade by director Martin Campbell from his own 1985 BBC mini of the same name, "Edge of Darkness" sacrifices every single bit of weirdness, every shred of nuance and every iota of politically-charged anger contained in the original, stripping the narrative down to its revenge-flick bare bones. There is almost nothing to this film beyond it's minimal plot. Gibson grimly stalks a potential informant for a scene or two, confronts them, slaps them around and gets a confusing answer. Then Winstone shows up and clarifies it a little. Repeat.

The original series is a furious, trippy indictment of a paralyzed, apathetic populace willing to put personal comfort ahead of a higher moral righteousness. Coming at the peak of Thatcherite power in Britain, it reeks of punishing cold-war paranoia and the simmering feeling of impending, apocalyptic dread. This Hollywood redux might have benefited from being produced during the Bush administration, as it's thick with the pat simplicity of a revenge/redemption cycle. That might have been acceptable had "Edge of Darkness" contained more than one or two action beats, but mostly, it's all talk. And what of Gibson? Sadly, he's got nothing to do here beyond talking Boston-y. His scenes with Winstone manage to raise the thermometer slightly, but that's only because you've got two great tough-guy actors having a raspy "talking like this contest." (Whither, "30 Rock"?) Frankly, Winstone overshadows Gibson on the strength of his character's total inscrutability and preoccupation with showing up, ninja-like, at the most convenient moments. One last thing: can we call a moratorium on Boston-based thrillers for a little while? Between this and the duly-appointed Federal Maaah-shaalls of "Shutter Island," I think we've all had enough.

==Written by Matt Lynch==

==From: In Review Online (www.inreviewonline.com)==
The good news is that Edge of Darkness (no relation to the fine 1943 war picture of that name) brings back Mel Gibson in front of the camera for the first time in nearly a decade. Although he's grown creased and leathery and his thatch has thinned, the movie star who was Mad Max still has the charisma and gravitas to center a dodgy suspense tale and propel it to the finish line. Gibson plays veteran Boston police detective Tom Craven, who welcomes home daughter Emma (Bojana Novakovic) for a rare visit, then sees her shot down at his front door. Because the gunman shouted "Craven!" and because a cop makes enemies, Tom assumes Emma took a bullet meant for him, which adds considerably to his grief and pain. But as he looks into the life of a daughter he loved yet scarcely knew, he discovers she'd been preparing to turn whistleblower on her employer, a corporation doing unsavory clandestine things for the government. Craven starts having oblique chats with a philosophical Brit named Jedburgh (Ray Winstone), who keeps turning up unexpectedly--in Craven's backyard at night, say--always giving the distinct impression that he could just as well kill a fellow instead of schmoozing. Their strange rapport, like Craven's tendency to mutter ironical asides as if in ongoing conversation with the departed Emma, is more intriguing than the conspiracy involving corporate skullduggery and a rogue assassination bureau. The bar for that sort of thing was set in post-Watergate days by Alan J. Pakula's The Parallax View, and we're nowhere near its cinematic elegance or pervasive paranoia. Edge of Darkness, based on a British miniseries from 1985, was directed by Martin Campbell, who also handled the six-hour original (and more recently the successful James Bond reboot Casino Royale). Campbell does decent-enough work--the occasional bursts of "shocking action" do shock even as we know they're coming--but rarely exceeds generic requirements. For killing comparison among contemporary suspense films, catch Roman Polanski's The Ghost Writer, in which every frame unsettlingly conveys a world where disquiet is the natural order of things. --Richard T. Jameson
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Movie Disc Details
Disc Version:

Runtime:

111

DVD Region:

1, 2, 3, 4, 5, 6

Disc Type:

DVD

Aspect Ratio:

16:9

Video Format:

MPEG-2

Parental Control:

1

Video Signal:

NTSC

Layers:

1

Subtitles:

Sound Mix:

Dolby Digital

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