Invite
|
Forum
|
Sign up
|
Sign in
|
 Sign in with Facebook
Home > Movies > The Wolfman
The Wolfman
The Wolfman (2010)
4.0
(62 Ratings)
2 Reviews | 26 Short Comments | 487 Collectors | 117 Times Watched
0 MovieMarks
Write a Short Comment
Post to MoovieLive
Add to My Collection
Watched!
Tell a Friend
Buy Movie Disc
Report this movie
Movie Info
Movie Year:
Director:
Joe Johnston
+Add
Movie Year:
2010
Cast:
Emily BluntBenicio Del ToroAnthony HopkinsArt MalikSimon MerrellsGemma WhelanMario Marin-BorquezAsa ButterfieldCristina ContesMalcolm ScatesNicholas DayMichael CroninDavid SterneDavid SchofieldRoger Frost
+Add
Screenplay:
Andrew Kevin WalkerDavid SelfCurt Siodmak
+Add
Genre:
Thriller, Other,
Studio:
Universal Pictures
Genre:
Action/Adventure
Other
Horror/Suspense
Television
Romance
Sci-Fi/Fantasy
Thriller
Animation
Comedy
Documentary
Drama
Kids/Family
Studio:
DVD Release:
2010/06/01
Theater Release:
2010/02/12
Blu-ray Release:
2010/06/01
Blu-ray 3D Release:
No release information.
DVD Release:
(ex. 2002/10/21)
Synopsis:
Tagline:
Even a man who is pure of heart and says his prayers by night may become a wolf when the wolfsbane blooms and the autumn moon is bright
 
Reviews
Mar 19, 2010
After a yearlong delay, a replacement director, heavy reshoots and multiple editors, "The Wolfman" is probably about as good as it could possibly be.  ...
After a yearlong delay, a replacement director, heavy reshoots and multiple editors, "The Wolfman" is probably about as good as it could possibly be. It gets quite a bit right, adding up to a solid B-horror offering that delivers more than a few pleasures during its lean, 100 minute runtime. It's probably going to be remembered as a missed opportunity, but it succeeds as a loving, loopy (lupe-y? Sorry, no more puns, I promise) tribute to 40s horror tropes and good ol' fashioned monster movies. Benicio del Toro stars as Lawrence Talbot, returning to his ancestral home on the moors to find that his brother's gone missing. Forced to spend time with his estranged father (Anthony Hopkins, hilariously re-hashing his cracked-out mad scientist Van Helsing from Coppola's "Dracula"), and his brother's hot wife (Emily Blunt), Lawrence actually seems to welcome the chance to wander the country at night, spying on gypsy camps and looking for clues as to the whereabout of his brother. Trouble is, that's a good way to get bit by a werewolf. Ruh-roh.

What with Talbot's family troubles and the fact that his sister-in-law looks a great deal like his dearly departed Mum, original director Mark Romanek would have probably put together a more legitimately scary and more heavily, ironically Oedipal version of "The Wolfman." But Universal clearly wanted a straight-up creature feature, and helmer Joe Johnston turns out to be the perfect choice. Nobody's in the theater to see all that hoary old subtext anyway. We want to see the werewolf. And the best thing about this 'Wolfman' is that there is no damn werewolf. It's a Wolfman. He stands on two feet and wears pants, Incredible Hulk style. And considering the genre's been dominated by more animalistic werewolves for decades, it's about time we saw a guy in a Victorian-era tux going all hairy and wrecking house.

More to the point, Johnston's extensive effects background has paved the way for a dynamic use of CGI and Rick Baker's makeup to create a couple of excellent transformation sequences. CG is filling in the blanks here, but it's mostly practical, and filmed by Johnston with classic cutaways to the face and to various extremities. What's more, "The Wolfman" is very, very…wet. I was expecting a more sympathetic take here, about a man who tries to deny his inner monster. That's there, certainly, but the film understands that there has to be a horrible inner monster to struggle against, and to that end this wolfman is a vicious killing machine, shredding through crowds of proper Londoners and leaving a path of bloody entrails in his wake.

The film, blessedly, has a sense of humor, too. Hugo Weaving shows up as rational Detective Abberline (the same man that hunted the Ripper), basically playing it like Agent Smith as usual, but all of his "mark my words"-ing and pipe smoking and top hatting brings a welcome levity. "The Wolfman" clearly has affection for the old Universal horror crop and werewolf films in general, staging no less than three separate expository scenes of toothless old British country folk holing up in the pub and warning people to stay off the moors. All that said, the film is still a mess as a narrative, with none of its ideas about man's primacy or its Oedipal themes really amounting to anything at all. (Although those themes are completely trite to begin with, so who cares?) Moreover, the reshoots and hasty editing have trimmed "The Wolfman" down considerably. Johnston is in a huge rush to get you to the monster stuff, and who can blame him? He's dutifully produced a bit of good, pulpy fun. It's bloody, funny-but-not-campy and mostly well assembled.

==Written by Matt Lynch==

==From: In Review Online (www.inreviewonline.com)==
The mist rising over the moors feels right, and so does the slant of moonlight coming over a Victorian village-scape. And if the moon is full, this must be The Wolfman, Universal's 2010 attempt to revive one of the crown jewels in its deservedly legendary horror stable. Benicio Del Toro takes on the old Lon Chaney Jr. role of Lawrence Talbot, an American visitor to his ancestral home in England. Talbot's brother has recently been torn to bits by a beast in the forest, leaving behind a grieving fiancée (Emily Blunt) and a not-visibly-grieving father (Anthony Hopkins). This central situation seems drained of blood even before the full-moon transfigurations begin to bloom, and Del Toro's Talbot--an actor by trade, which raises interesting possibilities for a story of a man divided by different personalities--is mystifyingly blank. The intriguing casting of Del Toro (what an opportunity for a cool werewolf!) comes to naught as Talbot seems to languish on the periphery of his own story. Hugo Weaving tries to generate some interest as the police inspector on the case, but he too is defeated by the combination of mechanical storytelling and bland computer-generated werewolves. The script skips from one exposition scene to the next, but nothing registers long enough to create character, tension, or the slimmest desire to see what happens in the next scene. Every once in a while director Joe Johnston (Jumanji) finds a grand staircase or CGI fog that conjures up the atmosphere of the old Universal horror classics, but otherwise this is a clueless affair--not as bad as Van Helsing, but flat-out dull. The movie can't even find a way to get the old Gypsy lady (Geraldine Chaplin stepping into Maria Ouspenskaya's tiny shoes) to deliver a proper recitation of screenwriter Curt Siodmak's great "Even a man who is pure in heart" doggerel from the 1941 film. Instead, it's thrown away in a voice-over at the beginning--one hairy way to start the movie. --Robert Horton
Short Comments
Collected
Watched
Movie Disc Details
Disc Version:

Runtime:

118

DVD Region:

1

Disc Type:

DVD

Aspect Ratio:

16:9

Video Format:

MPEG-2

Parental Control:

7

Video Signal:

NTSC

Layers:

2

Subtitles:

English (United States)

Spanish (Spain, Traditional Sort)

French (France)

Spanish (Spain, Traditional Sort)

French (France)

Sound Mix:

Dolby Digital

Dolby Digital

Dolby Digital

Trailers
Photos
MovieMarks
Movie Posters
$29.99
Buy Now
$29.99
Buy Now
Edit
Similar Movies
Hot Links