Movie Info
Movie Year:
Cast:
Natalie Portman
,
Scarlett Johansson
,
Eric Bana
,
Jim Sturgess
,
Kristin Scott Thomas
,
David Morrissey
,
Eddie Redmayne
,
Juno Temple
,
Mark Rylance
,
Benedict Cumberbatch
,
Oliver Coleman
,
Ana Torrent
,
Tom Cox
,
Michael Smiley
,
Montserrat Roig de Puig
Screenplay:
Peter Morgan
,
Philippa Gregory
Genre:
Other,
Romance,
Drama,
Studio:
Others
Genre:
Action/Adventure
Other
Horror/Suspense
Television
Romance
Sci-Fi/Fantasy
Thriller
Animation
Comedy
Documentary
Drama
Kids/Family
Studio:
DVD Release:
2008/04/03
Theater Release:
No release information.
Blu-ray Release:
No release information.
Blu-ray 3D Release:
No release information.
DVD Release:
(ex. 2002/10/21)
Synopsis:
Tagline:
The only thing that could come between these sisters... is a kingdom.
Mar 03, 2009
Here are your ingredients. One part Oscar-nominated scribe Peter Morgan, one part award-winning director of BBC’s acclaimed “Bleak House” adaptation, ...
Here are your ingredients. One part Oscar-nominated scribe Peter Morgan, one part award-winning director of BBC’s acclaimed “Bleak House” adaptation, Justin Chatwin, two parts British period piece (read smorgasbord of visual intricacies), three parts mind-blowingly attractive cast (including Scarlett Johansson, Natalie Portman, Eric Bana, Jim Sturgess, and Eddie Redmayne, among others). And the result is…decidedly less than the sum of its parts.
“The Other Boleyn Girl” attempts to tell the “true” story of Henry VIII’s relations with the Boleyn family, specifically the two beautiful, but opposite sisters, Anne (Portman) and Mary (Johansson). The film picks up with Katherine of Aragon’s latest male miscarriage, a devastating blow to the King of England (Bana). The sisters’ scheming uncle, the Duke of Norfolk (David Morissey), comes to his brother-in-law with a proposition, in disguise.
The verdict? For the benefit of the family, and her own future prospects, Anne will attempt to charm her way into the bedchambers of the King. As Mary has just been married, and her father finds her too simple next to the ambitious Anne, she does not even figure into these dealings. And yet, despite Anne’s best efforts (or, more accurately, because of them), Mary ends up the King’s preferred, beddable Boleyn. This sets up the remainder of the film, rife with rivalry, betrayal, redemption, and snippets of British history.
Historical inaccuracies aside (which are assumedly more a fault of the namesake book the film is based on), “The Other Boleyn Girl” mostly delivers. The film’s visuals are certainly a sumptuous and enchanting sight to behold. The costumes are as ornate and detailed as they are regally (and realistically) flamboyant, and the art direction of the film provides some shots of magnificent beauty, ones that accurately reflect the superficial splendor of the time and bookend the monstrosity that takes place within the scenes. And while much of the movie is shot with both breathtaking grandeur and focused restraint, a technique enhancing the sense of mythopoeia, the film could have benefited from a little variation from DP Kieran McGuigan’s penchant for close-ups. This is part of the reason the film is relegated to soap opera status when it could have been epic.
The acting in the film is not inadequate per se, but mostly one-dimensional. Natalie Portman is either hit (“Closer,“ “Garden State,“ “The Professional”) or miss (“Goya’s Ghosts,“ “Star Wars”), and here she (for the most part) misses. She channels Alice from “Closer,” but delivers her role with much less conviction (leaving it far less affecting) and a visible desire to appear the villain. This becomes a problem when, in the final third of the film, we are supposed to come to sympathize with her character, and we find it hard to do so. At least this part of the story suits Portman better as she finally appears comfortable in Anne’s skin.
In fact, few characters in this are likable at all. Eric Bana’s King Henry is entirely flat (less a fault of the actor than the role), and all we get to see him do is brood, snivel, and sex. The lone major character who merits any kind of fond feelings is Johansson’s Mary, and even she is shown to be weak and naïve for two-thirds of the film. And while Johansson is satisfactory, and even good in the role, I will take this brief moment to protest her career choices. What happened to doing films like “Ghost World,” Lost in Translation,” and even “Girl With a Pearl Earring” (a fellow period piece)? I don’t know who to beef with, so I will cover both sides: Scarlett, either pick better movies (we know you can be a shining light in mediocre films, no need to prove that anymore), or execs, give this girl some better roles!
Nevertheless, in spite of its missteps, “The Other Boleyn Girl” works if you aren’t too cynical (are we really to believe that Anne Boleyn was the mastermind and chief propulsion behind the Catholic schism in England?). It’s a visual feast, a more-than-satisfying taste of period eye-candy, and the final third of the film makes us feel more for the characters, and become more invested in the inevitable outcome, than we ever should. The acting finally becomes natural near the end, and most characters get what they deserve (although the justice of Anne’s fate will probably be a topic of debate for filmgoers). And while the film suffers from its indecision on whether to be trashier fare or more proper (read, more political inquest, societal implications, etc.), it is enough of a diversion and a guilty pleasure for the forgiving among us.
Last Word: “Not for history buffs or cynics, but for fans of accomplished visuals, period films, and pretty people, “The Other Boleyn Girl” delivers… just barely.”
==Written by Luke Gorham==
==From: In Review Online (www.inreviewonline.com)==
“The Other Boleyn Girl” attempts to tell the “true” story of Henry VIII’s relations with the Boleyn family, specifically the two beautiful, but opposite sisters, Anne (Portman) and Mary (Johansson). The film picks up with Katherine of Aragon’s latest male miscarriage, a devastating blow to the King of England (Bana). The sisters’ scheming uncle, the Duke of Norfolk (David Morissey), comes to his brother-in-law with a proposition, in disguise.
The verdict? For the benefit of the family, and her own future prospects, Anne will attempt to charm her way into the bedchambers of the King. As Mary has just been married, and her father finds her too simple next to the ambitious Anne, she does not even figure into these dealings. And yet, despite Anne’s best efforts (or, more accurately, because of them), Mary ends up the King’s preferred, beddable Boleyn. This sets up the remainder of the film, rife with rivalry, betrayal, redemption, and snippets of British history.
Historical inaccuracies aside (which are assumedly more a fault of the namesake book the film is based on), “The Other Boleyn Girl” mostly delivers. The film’s visuals are certainly a sumptuous and enchanting sight to behold. The costumes are as ornate and detailed as they are regally (and realistically) flamboyant, and the art direction of the film provides some shots of magnificent beauty, ones that accurately reflect the superficial splendor of the time and bookend the monstrosity that takes place within the scenes. And while much of the movie is shot with both breathtaking grandeur and focused restraint, a technique enhancing the sense of mythopoeia, the film could have benefited from a little variation from DP Kieran McGuigan’s penchant for close-ups. This is part of the reason the film is relegated to soap opera status when it could have been epic.
The acting in the film is not inadequate per se, but mostly one-dimensional. Natalie Portman is either hit (“Closer,“ “Garden State,“ “The Professional”) or miss (“Goya’s Ghosts,“ “Star Wars”), and here she (for the most part) misses. She channels Alice from “Closer,” but delivers her role with much less conviction (leaving it far less affecting) and a visible desire to appear the villain. This becomes a problem when, in the final third of the film, we are supposed to come to sympathize with her character, and we find it hard to do so. At least this part of the story suits Portman better as she finally appears comfortable in Anne’s skin.
In fact, few characters in this are likable at all. Eric Bana’s King Henry is entirely flat (less a fault of the actor than the role), and all we get to see him do is brood, snivel, and sex. The lone major character who merits any kind of fond feelings is Johansson’s Mary, and even she is shown to be weak and naïve for two-thirds of the film. And while Johansson is satisfactory, and even good in the role, I will take this brief moment to protest her career choices. What happened to doing films like “Ghost World,” Lost in Translation,” and even “Girl With a Pearl Earring” (a fellow period piece)? I don’t know who to beef with, so I will cover both sides: Scarlett, either pick better movies (we know you can be a shining light in mediocre films, no need to prove that anymore), or execs, give this girl some better roles!
Nevertheless, in spite of its missteps, “The Other Boleyn Girl” works if you aren’t too cynical (are we really to believe that Anne Boleyn was the mastermind and chief propulsion behind the Catholic schism in England?). It’s a visual feast, a more-than-satisfying taste of period eye-candy, and the final third of the film makes us feel more for the characters, and become more invested in the inevitable outcome, than we ever should. The acting finally becomes natural near the end, and most characters get what they deserve (although the justice of Anne’s fate will probably be a topic of debate for filmgoers). And while the film suffers from its indecision on whether to be trashier fare or more proper (read, more political inquest, societal implications, etc.), it is enough of a diversion and a guilty pleasure for the forgiving among us.
Last Word: “Not for history buffs or cynics, but for fans of accomplished visuals, period films, and pretty people, “The Other Boleyn Girl” delivers… just barely.”
==Written by Luke Gorham==
==From: In Review Online (www.inreviewonline.com)==
A tale of two sisters competing for the same king, The Other Boleyn Girl uses historical facts as window dressing for this work of fiction that is entertaining, if not wholly believable. Anne Boleyn (Natalie Portman) is the doe-eyed vixen ordered by her power-hungry uncle to bewitch King Henry VIII (Eric Bana). Her shy sister Mary (Scarlett Johansson) has always been in Anne's shadow; Anne is prettier, more accomplished, and desired by many men. So when the King picks Mary--the "other Boleyn girl"--as his mistress, Anne turns on her sister and schemes to become not only the King's consort, but his new queen. With a pair of American actresses in the lead roles and an Aussie portraying their hunky object of desire, the English accents are all over the place in this period piece with a modern feel. Though the Boleyn girls' mother points out that her "daughters are being traded like cattle for the advancement of men," it is Anne who ultimately throws her slight weight around to bully Henry into doing her bidding. When he begs her to give herself to him, Anne--wearing a Carrie Bradshaw-esque "B" pendant on her neck--counters, "Make me your Queen." Is the audience really supposed to believe that Henry the VIII--the most powerful man in the land--would divorce Catherine of Aragon, separate from the Catholic church, and put England in upheaval simply because Anne refused to sleep with him until he jumped through all her hoops? "I have torn this country apart for you," he hisses at her before finally getting his way. Based on Philippa Gregory's bestselling novel of the same name, The Other Boleyn Girl features an attractive cast and a familiar plot with some icky twists. Kieran McGuigan's cinematography is breathtaking and is as crucial to setting the film's tone as the dialogue. Actually, it fares better: Lines such as "Well? Did he have you?!" sound almost comical. But the sweeping shots of Henry's kingdom and the carefully framed close-ups of Portman and Johansson are breathtaking in their beauty and say what words simply cannot. --Jae-Ha Kim
Get to Know the Cast of The Other Boleyn Girl
(click on images to see more films from each actor)
![]() Natalie Portman (Anne Boleyn) | ![]() Scarlett Johansson (Mary Boleyn) |
![]() Eric Bana (Henry Tudor) | ![]() Jim Sturgess (George Boleyn) | ![]() Kristin Scott Thomas (Lady Elizabeth Boleyn) |
Beyond The Other Boleyn Girl
![]() Paperback Book | ![]() On Blu-ray | ![]() The Soundtrack |
Stills from The Other Boleyn Girl (click for larger image)
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Movie Disc Details
Disc Version:
Runtime:
110
DVD Region:
2, 4
Disc Type:
DVD
Aspect Ratio:
16:9
Video Format:
MPEG-2
Parental Control:
1
Video Signal:
PAL
Layers:
2
Subtitles:
English (United States)
German (Germany)
Italian (Italy)
Spanish (Spain, Traditional Sort)
Dutch (Netherlands)
English (United States)
German (Germany)
Italian (Italy)
Spanish (Spain, Traditional Sort)
Sound Mix:
Dolby Digital
Dolby Digital
Dolby Digital
Dolby Digital



















