Movie Info
Movie Year:
Cast:
Sam Worthington
,
Liam Neeson
,
Ralph Fiennes
,
Jason Flemyng
,
Gemma Arterton
,
Alexa Davalos
,
Mads Mikkelsen
,
Izabella Miko
,
Liam Cunningham
,
Hans Matheson
,
Ashraf Barhom
,
Ian Whyte
,
Tine Stapelfeldt
,
Luke Evans
,
Mouloud Achour
Screenplay:
Travis Beacham
,
Phil Hay
,
Matt Manfredi
,
Beverley Cross
Genre:
Action/Adventure,
Sci-Fi/Fantasy,
Studio:
Warner Bros. Pictures
Genre:
Action/Adventure
Other
Horror/Suspense
Television
Romance
Sci-Fi/Fantasy
Thriller
Animation
Comedy
Documentary
Drama
Kids/Family
Studio:
DVD Release:
2010/07/27
Theater Release:
2010/04/02
Blu-ray Release:
2010/07/27
Blu-ray 3D Release:
2010/11/16
DVD Release:
(ex. 2002/10/21)
Synopsis:
Tagline:
The Clash Begins 2.4.2010
Dec 19, 2011
There was a 1981 version of Clash of the Titans which was a pretty awesome film for the time. But the story, though similar in parts, is a lot differ ...
There was a 1981 version of Clash of the Titans which was a pretty awesome film for the time. But the story, though similar in parts, is a lot different than the 2010 version, so I wouldn’t call this a remake. Perhaps more of a “revisit”. As a person who knows enough about Roman theology (mythology) to answer a few trivia questions now and then, I can’t tell you which one is truer to the actual stories, but this one appears to be. But that aside, it was time for an update with today’s special effects technology. This was a total visual overload! Gone are the days of monsters in rubber suits. These monsters and freaks have a real personality!
The story begins in the Greek city of Argos where people are beginning to rebel against the gods. It seems they’ve figured out that the gods depend on the people’s belief and prayers for their power, and if people don’t believe in them anymore, they lose their power. Our hero, Perseus was born half man, half god but was saved under extremely odd circumstances from an early death and raised by a fisherman and his wife. Naturally big things are set for Perseus and he will have to choose to become god or man. His parents are killed by Hades, the god of the underworld and that helps his choice along a bit. Throughout his awesome adventure, he keeps choosing to refuse the help of the gods and do it as a man. He meets some strange friends and allies along the way, and fights some awesome enemies, until a final showdown with Hades and the Kracken which are some well developed bad guys!
As I mentioned before, the special effects are awesome and the scenery is breathtaking. The places they go seem real, and the giant scorpions, the Djin (a race of ex-human nomad sorcerers who live in the desert), and the flying horses, especially Pegasus are totally believable! But the battle with Medusa, the snake headed woman is one of the most amazing things I’ve ever seen. Really well done special effects.
The final battle erupts and once again, it takes your breath away. This is an exciting adventure. It’s got a lot of meat in the story and plenty going on for adults outside of the battles, and the younger kids are going to be able to have plenty of action to keep them interested. It’s probably not too good for little kids, (hence the PG-13) because it has some gory battle scenes and some of the monsters may be pretty intense for them, but for older children and adults, this is a great family film.
If I had any criticism, I guess it would be Zeus. I had a hard time with the choice of Liam Neeson as Zeus, not because he’s not a great actor, but simply because he’s so recognizable. I found this one thing distracting. He is a great actor, but the way he played Zeus was not very godlike. He seemed weak and way too gentle? Where’s the fierceness? But Zeus is not a very big part in the film, and it was only midly distracting to me. Otherwise, it was a very engaging story. I couldn’t look away for the nearly 2 hours it took to watch it. (Note: The way Zeus is portrayed may not be Liam’s fault. According to the IMDB.COM FAQ which I checked after writing this review, in the original cut of the film, Zeus was much less sympathetic than the ended up in the final cut).
This is a great film to watch on DVD as well. The picture is so clear that not much is lost in the transition to small screen. If you like action adventure, hero stories, this is one the best I have seen. I thought it was on par with Lord of the Rings quality-wise, and well worth the watch!
==Written by Ed Goettman ==
==From: Ed's Review Dot Com (www.edsreview.com)==
The story begins in the Greek city of Argos where people are beginning to rebel against the gods. It seems they’ve figured out that the gods depend on the people’s belief and prayers for their power, and if people don’t believe in them anymore, they lose their power. Our hero, Perseus was born half man, half god but was saved under extremely odd circumstances from an early death and raised by a fisherman and his wife. Naturally big things are set for Perseus and he will have to choose to become god or man. His parents are killed by Hades, the god of the underworld and that helps his choice along a bit. Throughout his awesome adventure, he keeps choosing to refuse the help of the gods and do it as a man. He meets some strange friends and allies along the way, and fights some awesome enemies, until a final showdown with Hades and the Kracken which are some well developed bad guys!
As I mentioned before, the special effects are awesome and the scenery is breathtaking. The places they go seem real, and the giant scorpions, the Djin (a race of ex-human nomad sorcerers who live in the desert), and the flying horses, especially Pegasus are totally believable! But the battle with Medusa, the snake headed woman is one of the most amazing things I’ve ever seen. Really well done special effects.
The final battle erupts and once again, it takes your breath away. This is an exciting adventure. It’s got a lot of meat in the story and plenty going on for adults outside of the battles, and the younger kids are going to be able to have plenty of action to keep them interested. It’s probably not too good for little kids, (hence the PG-13) because it has some gory battle scenes and some of the monsters may be pretty intense for them, but for older children and adults, this is a great family film.
If I had any criticism, I guess it would be Zeus. I had a hard time with the choice of Liam Neeson as Zeus, not because he’s not a great actor, but simply because he’s so recognizable. I found this one thing distracting. He is a great actor, but the way he played Zeus was not very godlike. He seemed weak and way too gentle? Where’s the fierceness? But Zeus is not a very big part in the film, and it was only midly distracting to me. Otherwise, it was a very engaging story. I couldn’t look away for the nearly 2 hours it took to watch it. (Note: The way Zeus is portrayed may not be Liam’s fault. According to the IMDB.COM FAQ which I checked after writing this review, in the original cut of the film, Zeus was much less sympathetic than the ended up in the final cut).
This is a great film to watch on DVD as well. The picture is so clear that not much is lost in the transition to small screen. If you like action adventure, hero stories, this is one the best I have seen. I thought it was on par with Lord of the Rings quality-wise, and well worth the watch!
==Written by Ed Goettman ==
==From: Ed's Review Dot Com (www.edsreview.com)==
Apr 13, 2010
I walked into Louis Leterrier's remake of Desmond Davis's 1981 camp classic with fairly low expectations. On the one hand, I knew neither version of " ...
I walked into Louis Leterrier's remake of Desmond Davis's 1981 camp classic with fairly low expectations. On the one hand, I knew neither version of "Clash of the Titans" had real aspirations as far as plot, dialogue or characterization were concerned. On the other, I was excited by the prospect of seeing some of the original's mythic (and pseudo-mythic) creatures reincarnated in state-of-the-art form. My mistake was in having fairly low expectations; the film's only link to epic tradition is the degree to which it manages to exemplify the phrase "epic fail." Its release date was delayed due to the producers' decision to cash in on the post-"Avatar" demand for 3D, and it's obvious that its effects were hastily stitched together in post; they pale in comparison to the spectacle of "Avatar," or even that of the otherwise execrable "Beowulf." The film's highlights are, predictably, its fantastic creatures: The Kraken, Charon the Boatman of the River Styx, and the sinuous-quicksilver Medusa are admittedly diverting. However, even they lack for life compared to Ray Harryhausen's dated but still unparalleled stop-motion creations for the original. And they can't help a film that suffers from some of the worst onscreen dialogue I've heard in recent years, as well and some of the most perfunctory plot development.
More than half this film is, of course, devoted to grand action sequences, but they unfold dully (I never imagined until now that mammoth scorpions could kill not with stingers but with massive doses of chattering boredom). The film follows in the footsteps of the original by aiming high in terms of casting (hey, come on—Harry Hamlin was hot stuff in '81!). One of the original's claims to fame was the presence of a slumming Laurence Olivier as Zeus, patriarch of the Olympian pantheon. Liam Neeson has donned this dubious mantle for the retread, while Ralph Fiennes wades rather more courageously through the sludge of the script and delivers a noteworthy performance as Hades, the revolutionary malcontent of Mount Olympus (he plays him like Karl Marx read by Milton's Satan, but disguised as Voldemort from the "Harry Potter" franchise). Pete Postlethwaite ("The Usual Suspects"), Alexa Davalos ("The Mist"), Polly Walker ("Rome"), and Danish actor Mads Mikkelsen also manage to deliver a few persuasive moments in this otherwise lifeless debacle. All this is too little to redeem the film as a whole, but it's a remarkable achievement when you consider how beset these actors are with dimwitted dialogue that feebly tries to pastiche the original at the same time as it aspires to the kind of melodramatic speechification that made "Terminator Salvation" almost unwatchable.
Leterrier (whose directorial credits include "Unleashed," "The Transporter 2," and "The Incredible Hulk") claims that making the film was a labor of love, since he admired the original and wanted to create a worthy homage. But the only thing he accomplished was spending a great deal of money, throwing a black mark on the resumes of his resigned (but well-paid) thespians, and reinforcing the truth that the last-minute application of 3D effects cannot improve—and can even exacerbate—an already wretched film. Leterrier's affection for the original may be sincere, but it can't save his project; still, he can at least console himself with the fact that his bloated homage reinforces the original's tendency for flaunting its own over-produced and grossly under-written inferiority. Even more tragically, Leterrier has expressed an intention to spawn sequels to the film. He's stated, "I'd love 'Clash' to be a franchise…it's like James Cameron with 'Avatar.' He can explore different planets. Well, I can explore Greek mythology…I could spend the rest of my life directing Greek mythology movies and I would still not finish everything." Kraken be damned, that is an abysmally terrifying prospect, if Leterrier's maiden voyage is any indication of things to come.
==Written by Sean Moreland==
==From: In Review Online (www.inreviewonline.com)==
More than half this film is, of course, devoted to grand action sequences, but they unfold dully (I never imagined until now that mammoth scorpions could kill not with stingers but with massive doses of chattering boredom). The film follows in the footsteps of the original by aiming high in terms of casting (hey, come on—Harry Hamlin was hot stuff in '81!). One of the original's claims to fame was the presence of a slumming Laurence Olivier as Zeus, patriarch of the Olympian pantheon. Liam Neeson has donned this dubious mantle for the retread, while Ralph Fiennes wades rather more courageously through the sludge of the script and delivers a noteworthy performance as Hades, the revolutionary malcontent of Mount Olympus (he plays him like Karl Marx read by Milton's Satan, but disguised as Voldemort from the "Harry Potter" franchise). Pete Postlethwaite ("The Usual Suspects"), Alexa Davalos ("The Mist"), Polly Walker ("Rome"), and Danish actor Mads Mikkelsen also manage to deliver a few persuasive moments in this otherwise lifeless debacle. All this is too little to redeem the film as a whole, but it's a remarkable achievement when you consider how beset these actors are with dimwitted dialogue that feebly tries to pastiche the original at the same time as it aspires to the kind of melodramatic speechification that made "Terminator Salvation" almost unwatchable.
Leterrier (whose directorial credits include "Unleashed," "The Transporter 2," and "The Incredible Hulk") claims that making the film was a labor of love, since he admired the original and wanted to create a worthy homage. But the only thing he accomplished was spending a great deal of money, throwing a black mark on the resumes of his resigned (but well-paid) thespians, and reinforcing the truth that the last-minute application of 3D effects cannot improve—and can even exacerbate—an already wretched film. Leterrier's affection for the original may be sincere, but it can't save his project; still, he can at least console himself with the fact that his bloated homage reinforces the original's tendency for flaunting its own over-produced and grossly under-written inferiority. Even more tragically, Leterrier has expressed an intention to spawn sequels to the film. He's stated, "I'd love 'Clash' to be a franchise…it's like James Cameron with 'Avatar.' He can explore different planets. Well, I can explore Greek mythology…I could spend the rest of my life directing Greek mythology movies and I would still not finish everything." Kraken be damned, that is an abysmally terrifying prospect, if Leterrier's maiden voyage is any indication of things to come.
==Written by Sean Moreland==
==From: In Review Online (www.inreviewonline.com)==
"Release the Kraken!" Ah, it could only be Clash of the Titans, the 2010 remake that retains the instruction to unleash the great beastie from the sea. The 1981 original boasted Ray Harryhausen's legendary stop-motion technique of animating various mythological creatures--it was his final feature project--and given the cornball approach of the movie in general, that was the main draw. The remake supplies new state-of-the-art special effects (it was released in theaters in 3-D) and a nicely muscular sense of momentum. Sam Worthington (the Avatar guy) plays Perseus, a demigod who doesn't know that Zeus (Liam Neeson) is his father. Perseus is selected to lead an expedition to find and slay the Medusa, lest Zeus's evil brother Hades (Ralph Fiennes, in fine slinking mode) rain down misery upon a seaport--and you just know that means the Kraken is coming. Ye gods, it's a mess, and we haven't even mentioned the witches and the harpies and the giant scorpions. But if we did, it would be clear that Clash of the Titans is a perfectly dandy popcorn epic, unpretentious and punchy. Director Louis Leterrier (Transporter 2) gets a fine rhythm going during Perseus's trek, and you can even forgive the hokey shafts-of-light-through-clouds look of Olympus. Leterrier also had the good sense to import the marvelous Danish star Mads Mikkelsen to provide mentoring duties to Perseus; Gemma Arterton and Alexa Davalos fulfill the eye-candy roles. It's up to individual viewers to choose which they prefer--Harryhausen's magically hand-wrought creations (his Medusa sequence is an absolute killer) or the 21st century's slick computer-generated variations. But nostalgia aside, it would be hard to deny that this is one case where the remake tops the original. --Robert Horton
Movie Disc Details
Disc Version:
Runtime:
95
DVD Region:
1, 2, 3, 4, 5, 6
Disc Type:
DVD
Aspect Ratio:
16:9
Video Format:
MPEG-2
Parental Control:
1
Video Signal:
NTSC
Layers:
1
Subtitles:
Sound Mix:
Dolby Digital








